What ideologies are subverted when curtains assert versatility, sensuality and movement in spaces typically defined by fixedness? Cubbyhouse (Nothing is Certain, said the Curtain) merges the familiarity of Ali Noble’s existing textile-based practise, with the exploration of a new format, video.

Firstdraft’s pop-up classroom, Class S2, calls for you to tap into your child-like self with the materials, knowledge and memories collected and experienced by who you are today, making objects in experimental and hopeful ways. 

In Unruly Edges, Ellen Dahl, Emma Pinsent and Eduardo Wolfe-Alegria have collaborated to create an imagined ecotone or contact zone, formed as the boundaries of their works dissolve and entangle, initiating new dialogues between their works in order to draw out previously unexplored or emergent ideas in their practices.

Kate Coyne's studio practice explores how experience can be embodied and the nature of the relationship between the body/experience and materiality in a socio-political feminist context. Temporality, the progression of past, present and future is inherent, with materials discolouring over time and gravity taking over form and identity in the same way that it does with an ageing, sagging body.