110% (Kieran Bryant, Beth Dillon, Lachlan Herd) create performance and video installations that develop from a shared interest in playing with amateur choreographies of bodies in space; the value of artistic labour; and the dynamics of hosting. Previous works have investigated competitive cultures of positive thinking; links between art appreciation and the pursuit of leisure; and tested the impact of long distance separation on collaborative practice and motivation. 110% often stage interventions that play with the presentational structure of art events in festival, fair and gallery contexts. These interventions may take the form of an interruption, an invitation, an oasis, a sweaty mess.
