Miška Mandić is an artist and researcher born in SFR Yugoslavia, living on Gadigal Land. Through a cinematic practice her works explore a sense of time that aims to resist colonial-capitalist structures, carving out more wily models of enmeshment with the relational ecologies of production. Miška has worked as an editor with directors such as Warwick Thornton (Sweet Country, The New Boy), Robert Connolly, George Gittoes; Sydney artists Make or Break and Rhiannon Newton; and institutions such as the Opera House and Carriageworks. Miška has over nine years experience teaching moving image practice and theory across Sydney universities and is currently a PhD candidate in Fine Art at UNSW.