Hannah Brontë's (b. 1991) practice draws on the natural environment, the empowerment of Indigenous, Black and Brown women projected into her dreamscape works of imagined futures. Her practice spans video, photography, weaving and textiles. Brontë's upbringing around Hip Hop and protest movements also feeds her love for immersive art events "FEMPRESS", blending music with installation. She has participated in exhibitions both locally and internationally, including 2019 Transits and Returns, Vancouver Art Gallery, Canada, 2019; The National: New Australian Art, MCA, Sydney, 2019; Perilous Bodies, Ford Foundation, New York, 2018; Pataka- revolutionary women, Porirua, NZ, 2018; Blak-Blak Art Form, Cairns Regional Gallery, 2017; Next Matriarch, Ace Open, Adelaide, 2017; Red Green Blue: A History of Australian Video Art, Griffith University, Brisbane.
