Through a sculptural and spatial practice, Yvette James creates visceral landscapes expressing the fragmentation of our bodies via digitisation. Exploring contemporary philosophies on the fluidity of our bodies with our environment, Yvette concludes that our data may be likened to corporeal detritus, fragments of both our psychological intricacies and physical form. Their sculptural work embodies the digital flesh mined from us in public and private spaces, with or without our consent. Through manipulated metals combined with ambiguous fluids, James' work interrogates how contemporary explorations of the body fit into the digital landscape.
