Artists

Jesse’s practice approaches phenomenology, crip theory and affect. Working primarily in sculpture, print and sound; Jesse’s work interrogates our preconceptions of how we perceive, evaluate and negotiate the world - particularly with a focus on people with diverse sensory experiences and differing abilities.

Anthes and Bavyka have been misinterpreting each other among the weeds for 2 years at Frontyard, a not-just-artist-run space for critical research and conversation.

Kieran Bryant is a Sydney-based emerging artist whose practice aims to identify interior liquid narratives, situated wateriness, and emotional landscapes within the queer body and externalise them through constructed performative scenarios, collaborative actions, photographic documentation, small sculpture, and video installation.

Sebastian is an emerging curator who approaches the exhibition format as an act of generosity.

Dr. Mojgan Habibi, born 1978 in Iran, is a contemporary Iranian Australian Artist; she completed her PhD in Fine Art at the University of Newcastle in 2018 and is a casual lecturer at the University of Newcastle.

Roberta Rich is a multi-disciplinary artist whose work responds to constructions of identity, often referencing her diaspora African identity and experiences.

Cindy Yuen-Zhe Chen is a Sydney based artist who uses experimental drawing and sound practice to explore processes of embodied listening. Her drawing practice examines circumstantial experience and searches for the dynamic line of sound which has no form.

Sundari Carmody is an Adelaide based artist whose practice is primarily focused on the language of sculpture. She concerns herself with the question of how to engage with universal systems and aspects of being, which linger in the category of the unknown, in ‘the dark’.

Jack Harman is an artist, artwork technician, perfectionist and day dreamer based in Sydney. Harman’s practice is driven by a desire to understand the world by disrupting cultural conventions to form new narratives around the subjects in question.

Rebecca Selleck is a Canberra-based emerging artist with a focus on interactive sculpture and installation. She completed her Bachelor of Visual Arts at the ANU School of Art with First Class Honours, majoring in Sculpture and Art Theory, and also holds a Bachelor of Communications, majoring in Creative Writing and Literary Studies.

Therese Keogh is an artist, living and working in Sydney, Australia. She recently completed an MFA at Sydney College of the Arts. Therese creates multi-layered projects that explore material and spatial implications of knowledge production, through interdisciplinary, site-based research practices.

Nabilah Nordin and Nick Modrzewski are an artist duo. They merge painting, film and performance within loosely constructed sculptural sets in galleries or public spaces.

Fei is an artist and dancer. He was born in Beijing and grew up in Tianjin. He moved to Sydney in 2016 to study a Bachelor of Media Arts (Honours) at UNSW Art & Design.

Rattus is a Canberra turned Sydney artist who's work started with painting but has since collected every medium encountered, in particular performance/installation to maximalise their shows.

Sabella D’Souza is a Sydney based artist who insists they are from Melbourne. Their video work grapples with constructed binaries of invisible vs hyper visible, self-representation, and modes of care in cyber communities.

Elisabeth Pointon is a Pakeha and Indian, Pōneke-based artist who graduated with an MFA from Massey University (Te Whanganui-a-Tara) in 2017.

Jayanto Tan is an emerging visual artist who was born and raised in a village in North Sumatra, Indonesia. As a Chinese-Indonesian Peranakan immigrant living in Sydney, his practice blends Eastern and Western mythologies with the reality of current events.

Hone-Saunders’ artistic practice most often utilises movement, with the use of video as preferred medium, centering her body as a focal figure.

Francesca Zak’s practice is rooted in the reimagining of abandoned imagery and the traditions of storytelling and memory.

As a palawa, Tasmanian Aboriginal, woman with strong connections to her ancestral countries of tebrakunna, Coastal Plains Nation, in the north-east of Tasmania and to the Oyster Bay Nation, Mandy Quadrio’s art practice seeks to generate political and social dialogues against a background of contested Australian histories.