Formed in 2014, Snack Syndicate (Astrid Lorange and Andrew Brooks) is a critical art collective that produces installations, video and sound work, texts and talks.
Read MoreGrace Blake a a digital and installation artist based between Canberra and Sydney. Blake creates digital spaces and scenarios that explore relationships between technology and its human users.
Read MoreYonel Watene was born 1989 in Aotearoa, and is of Māori (Ngati Maru (Hauraki)) and Greek descent. Since 2016 Watene has created a diverse oeuvre that grew to include painting, photography, sculpture and video.
Read MorePhebe Schmidt (b. 1993) is a photographer and filmmaker based in Naarm (Melbourne). Her work explores consumption, self-image and identity in a branded, surveilled contemporary culture.
Read MoreParis Norton is a Gamilaroi woman from North Western NSW. Norton’s work is a visual response to her emotions, identity and cultural heritage and their relationship to contemporary Australia.
Read MoreLisa Sammut is an artist based in Sydney. She explores cosmic-oriented philosophies of being and belonging through material production including kinetic and prop-like woodwork sculpture, video art and immersive model-based installation.
Read MoreAmy Jane Parker (b.1990, Narrm/ Melbourne) is an artist currently living on the unceded lands of the Palawa people in nipaluna/ Hobart. Her sculptural practice considers how affective energies are passed between and indexed within earthly matter.
Read MoreLoc Nguyen (b. 1996) is an emerging artist based in Sydney working across video, sound and performance.
Read MoreAnna Pogossova is a Moscow born, Sydney based photomedia artist, whose work is concerned with the experience of familiarity in fiction.
Read MoreBlake Lawrence was born and raised in Palmers Island, Northern NSW, across the lands of the Yaegl, Bundjalung, and Gumbaynggirr nations.
Read MoreElyas Alavi is a multi-disciplinary visual artist based in Adelaide, South Australia. He is primarily working in the form of painting, installation, performance art and recently video art.
Read MoreTom’s solo and collaborative practice utilises fragmented moments and symbols as potential sites for contemplating the psychological frameworks and technological networks that surround us.
Read MoreJelena Telecki is interested in representation in painting and sculpture. Installation plays an important part in creating a dialogue between painting and sculpture and is used as a means of articulating her sense of personal and shared narratives, internal and the external.
Read MoreJade Boyd is a visual artist and PhD candidate at Sydney College of the Arts, researching occulted energies in nature and technology.
Read MoreAndrew Christie is a Sydney-based artist whose multidisciplinary practice expresses the ability of aesthetics to occupy and negotiate political landscapes while paradoxically admitting the futility of arts own efficacy.
Read MoreKai Wasikowski is a multidisciplinary artist living and working in Sydney, Australia. In familiarising rapid environmental and technological change, Kai’s artistic practice maps an intimate connection with the threat of impending ecological disaster and explores the emotional reverberations of a relationship with such disproportionate scale.
Read MoreMegan Kennedy is visual artist currently residing and working in Melbourne. Seeking intersections between art and the everyday, Megan ‘tinkers’ with found and manufactured objects to create spatially considered installations.
Read MoreJesse’s practice approaches phenomenology, crip theory and affect. Working primarily in sculpture, print and sound; Jesse’s work interrogates our preconceptions of how we perceive, evaluate and negotiate the world - particularly with a focus on people with diverse sensory experiences and differing abilities.
Read MoreAnthes and Bavyka have been misinterpreting each other among the weeds for 2 years at Frontyard, a not-just-artist-run space for critical research and conversation.
Read MoreKieran Bryant is a Sydney-based emerging artist whose practice aims to identify interior liquid narratives, situated wateriness, and emotional landscapes within the queer body and externalise them through constructed performative scenarios, collaborative actions, photographic documentation, small sculpture, and video installation.
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