Come as you are

 

Luke Abdallah, Cane Painting #20 (Blind painting), 2022, Acrylic on repurposed vinyl blind

Luke Abdallah, Geyser, 2022, Synthetic Polymer on paper, 101 x 81cm

Chloë Abdelnour, A Hymn (1), 2025, Manual Machine Knitted Polycotton, Handwoven Acrylic Yarn, Textile and Paper Collage on MDF Frame, 111 x 75cm

Crystal Leigh Adams, Midyear Show performance,2025, pencil and paint marker on paper, 29cm x 21cm

Riia Badger, Blue, 2025, Repurposed fabric scraps on found object, 66cm x 26 x 2cm

Arunan Dharmalingam, Arunan’s Farm with koala and wombats, 2023, Air-dry clay and acrylic paint, 330mm x 380mm

Arunan Dharmalingam, Arunan’s Farm with cows (revisited) 2025 Digital drawing, 605mm x 775mm

Sudheera Dissanayake (Sudjuice), Abundance, 2024, Synthetic Polymer on canvas, diptych, 120 x 124cm

Zachariah Fenn, REFUGEE ISLAND, 2024, altered traffic sign, 130 x 102 cm

Zachariah Fenn and Sudheera Dissayana, Untitled (Spirit monkey), 2023, Pencil, marker and paint pen on found object, cardboard, 32 x 29cm

Oliver Fontany, Oliver in the Mirror, 2022, Synthetic Polymer on canvas, 102 x 76 cm

Oliver Fontany, DVD STACK 1, 2023, Synthetic Polymer on canvas, 90 x 45cm

Rowan Yeomans, Big Dawg Coming Through, 2025, acrylic and oil pastel on canvas, 41cm x 31cm

Luke Abdallah, Rhythm in nature (Bilpin), 2024, Acrylic and natural detritus on canvas, 49 x 49cm

Chloë Abdelnour, A Hymn (2), 2025, Manual Machine Knitted Polycotton, Merino and Silk, Textile and Paper Collage on MDF Frame, 94 x 75cm

Chloë Abdelnour, New Myth (2), 2025, Manual Machine Knitted Alpaca and Silk, Textile and Paper Collage on MDF Frame, 62 x 75cm

Crystal Leigh Adams, The chess game, 2025, watercolour on paper, 42.0 cm x 59.4 cm

Arunan Dharmalingam and Matt Elliott, Pig, sheep and goat, 2025, acrylic on tile & air-dry clay, 15 x 45cm

Arunan Dharmalingam and Matt Elliott, Pig, sheep and goat, 2025, acrylic on tile & air-dry clay, 15 x 45cm

Arunan Dharmalingam and Sarah Coyle, Orange Lemon Alpaca and Goat, 2025, Synthetic polymer on air dry clay, smalti mosaic on tile, 20 x 20 x 2.5 cm

Sudheera Dissanayake (Sudjuice), The Peacock, 2023, Synthetic Polymer on canvas, 123 x 90cm

Matt Elliott, My studio window, Bundanon, 2022-23 Acrylic and Oil Stick on Plywood, 93 x 123cm

Zachariah Fenn, ROUTED/DETOUR, 2023, Mixed media on altered traffic sign, steel A-frame stainless steel, timber pallet, caster wheels, 150 x 120 x 90 cm

Oliver Fontany, Batch Code VHS 1, 2023, Synthetic Polymer on canvas

Shira Fox, Little bird in the forest, 2025, ink on paper and 29.7 x 42cm

Jeremy Swales, Dreamland, 2023, Synthetic Polymer on canvas, 61 x 61cm

Rowan Yeomans, Worm House, 2021, embroidery, 33cm x 33cm

Rowan Yeomans, Cats Can’t Drive, 2022, digital drawing, 42cm x 30cm

Luke Abdallah & Matt Elliott, The ground underfoot, Bundanon (Sensory Painting), 2022-23, Acrylic, impasto, natural detritus and mixed media on textured paper, 81 x 60cm

Chloë Abdelnour, New Myth (1), 2025, Manual Machine Knitted Alpaca and Silk, Textile and Paper Collage on MDF Frame, 62 x 75cm

Crystal Leigh Adams, Self Portrait at Studio ARTES, 2025, coloured pencil on paper, 21cm x 29cm

Crystal Leigh Adams, Mountain Lake Landscape, 2025, mixed media on canvas board, 40cm x 50cm

Arunan Dharmalingam, Arunan’s Farm with cows (revisited), 2025, Digital drawing, 605mm x 775mm

Sudheera Dissanayake (Sudjuice), Take it easy 2020, 2020, Synthetic Polymer on canvas, 101 x 73cm

Matt Elliott, In the garden on the harbour, 2024, Charcoal, acrylic and oil stick on watercolour paper, 1040 x 830 mm

Zachariah Fenn, PREPARE, 2024, Synthetic Polymer Paint and Graffiti Remover on Aluminium Street Sign, 60 x 90cm

Oliver Fontany, Chuckie Finster, 2020, Synthetic Polymer on Hessian, 163 x 86cm

Shira Fox, Urban Forest III, 2025, ink on paper and 29.7 x 42cm

Jeremy Swales, Danger Canyon, 2023, Synthetic Polymer on canvas , 40 x 50cm

Jeremy Swales, Ghost town with No Ghosts, 2024, Synthetic Polymer on canvas, 35.5 x 46cm

This project is supported by the NSW Government through Create NSW