Systems of power emerge slowly, manifesting in the periphery and infiltrating spaces so gradually it's sometimes impossible to reckon with a shifting status quo until it is entrenched. Momentum builds imperceptibly, masking fundamental flaws, damage caused and any counter-thinking that could jeopardise the perception that this new system is anything but an inevitability.
In Soft Power, writers and artists explore what is obscured and nullified in emergent and established systems of power. While these systems are broad and largely intangible, their impacts are felt and documented in very measurable ways.
Explore Janet Bi Li Chan’s carefully rendered erasure poetry interrogating the future of artificial intelligence, before contemplating Talia Smith’s softly animated meditation on remembered family and shores. Try your hand at Nicholas Aloisio-Shearer’s interactive game, which asks you to navigate encounters with three manifestations of online masculinity, before reading Lou Garcia-Dolnik’s essay on the social and environmental costs of bitcoin mining. Watch Ryan Andrew Lee’s contemplative video work that juxtaposes Indigenous ways of living with the western settler-state’s extractive and damaging use of stolen lands, then read Melody Paloma’s poetry on colonial kitsch and the violence of settler-colonial aesthetics. Finally, download and share Roslyn Orlando’s new graphic score, which proposes ways of using the voice to evade detection from domestic smart speakers.
Soft Power presents experimental responses, new critiques and speculative futures in the face of myriad power systems we must confront and dismantle.
Teeny tiny, itty bitty, super duper, big interrogates the violence of settler colonial aesthetics. The poem circulates around the concept of colonial kitsch and its relationship to mythmaking, monument and extraction.
Evasion Score is a downloadable graphic score and video demonstration that proposes ways of using the voice to evade detection from domestic smart speakers. Various vocal techniques are used to prevent speakers from 'listening' to and understanding speech.
Wonnarua is a contemplative moving image installation work that aims to provoke discussion around themes of Indigenous ways of living in juxtaposition with western settler-state system's unsustainable, damaging ways of using stolen lands.
Entertaining the possibility that Bitcoin mining’s colonial-capitalist apparatus may too set its claws in The Philippines, Ledger wrestles with the impossibility of imagining a homeland always-already imminently ruined by technocapitalism.
Enter a strange world and find a way to charm the three manifestations of online masculinity that will vie for your affections! Will you be able to discover a way to live in this world you have found yourself in? Experience corporeal bliss in one of five different endings or uncover the secret path to transcendence.
AI Redacted is an experiment in erasure poetry that continues a tradition of creating ‘found’ poetry through erasing a large portion of an existing text - in this case, a 1986 technical report from New York University titled The Limits of Artificial Intelligence by Jacob T Schwartz.
This work explores the disconnection between Aotearoa, the artist’s place of birth and ancestral homelands, and Sydney, where she currently resides – and the familial ties that keep her precariously grounded.