Artists

Nicole Breedon lives and works in Melbourne. Completing her Bachelor of Fine Arts (Honours) at Victorian College of the Arts in 2010, she has since been a recipient of several travelling fellowships and grants.

Christopher Handran has exhibited widely nationally and internationally, including recent exhibitions at Blindside (Melbourne), Feltspace (Adelaide), SkulpturenMuseum Glaskasten Marl (Germany) and The Block (Brisbane).

Alex lives alone in a farming village in regional NSW where she bases her studio practice from the shed in her backyard. Since relocating to the bush she has enjoyed drinking rum and coke and shooting her father’s guns.

Laura Moore is an emerging artist based is Sydney. A recent graduate of Sydney College of the Arts, her work examines the nature of photography itself, experimenting with the capacity of the photographic portrait to represent complex meanings about identity and human relationships.

Siân McIntyre is a Sydney based artist and curator and a current Masters candidate and APA recipient at UNSW Art and Design. In 2013 she undertook a practicum exchange placement at Glasgow School of Arts and completed a residency in Olofström Sweden.

Michaela is a cross-disciplinary artist whose practice is informed by an interest in the role of psychological and physical agency in creative processes and performance.

Working across mediums Consuelo Cavaniglia develops installation and wall-based works that focus on how we look at and understand the spaces we inhabit.

Emily O’Connor is an artist working in video and performance. Her practice advocates a rethinking of the body and desire as informed by corporeal feminist and queer theory and the sciences, particularly entomological theory.

Alexandra Clapham and Penelope Benton are collaborative artists working across sculpture, performance and installation. Their practice considers tools employed by architecture and spatial design in ephemeral mediums.

Stewart completed a Bachelor of Fine Arts from the Victorian College of the Arts in 2008, completing first class honours in 2010 and graduating from a Master of Cultural and Arts Management at the University of Melbourne in 2013.

Based in Darwin in the NT, Amina McConvell constructs large-scale sculptural installations; combining mural painting with drawing and sculpture. Amina's creative practice is multifaceted and experimental, incorporating independent research, curatorial projects and project development.

Boni Cairncrossʼ practice is an inquiry into the structures that inform our perception of experience. Responding to site and context, her practice moves across media.

Amanda Wolf is a contemporary artist who engages with themes related to the body. The foundation of Wolf's work lies in the process of hand sewing which is used to create large scale soft sculptures, costumes and stop motion animations.

Henry Walker's intuitive performances of abstract painting and making in an art space, studio, public or surfing context are commonly documented and displayed by hijacking methods of presentation from surf culture.

Sam Songailo is an artist from Adelaide, currently based in Melbourne. Working in a range of media, including installation, sound and video, his work often employs the heavy use of pattern and colour.

Natalya Hughes is an Australian artist based in Sydney. She works mainly in painting, digital media and installation. Her work is consistently concerned with maligned decorative and ornamental traditions and their association with the feminine, the body and excess.

Justin Balmain is a multi-disciplinary artist living in Sydney, Australia, whose methodology forms out of an inquisitive exploration of varying media.

Nuno´s practice deals fundamentally with space and place. He works with historical references of modernist architecture, literature, urbanism, social utopia and abstract geometrical painting.

Anton Benois and Beth Dillon are a Berlin-based, Sydney bound collaborative duo working in sculpture, video and performance. Their practice investigates the figure of the outsider, considering states of dislocation and frustrated experience of place through artist-audience interactions and installation.

Zan Wimberley is an Artist and Photographer who trained in Scientific photography at RMIT before working under Cinematographers on major feature films within Australia.