Prita Tina Yeganeh

My Soil Farsh فرش (Carpet) expresses the profound experience of placemaking through transforming and innovating a cultural object. For Prita Tina Yeganeh, the connection stems from the cultural values and rituals of kinship and community-building deeply embedded in the familial environment that nurtured her sense of belonging as a child.

Magic Cave grew from research Emmaline Zanelli began in early 2023 into the social culture and family dynamics surrounding the mining industry in South Australia, with a focus on youth. Influenced by the young people she met and their interests, Magic Cave is an absurdist fantasy interpretation of life underground

Adele Warner and Gigi Malherbe

Cybermancy brings together Gigi Malherbe’s and Adele Warner’s meditations on the short-comings of the human body. As the suffix “mancy” denotes, artworks cast a speculative gaze to the near contemporary future to examine the integration of technology with the physicality and decay of the body.

Celine Cheung

Affection brings together artworks that explore ideas of obsession and objectification; fantasy and culpability; sentimentality and subjectivity. The suite of works sees to the artist inhabiting different roles as victim and violator, to invoke discussions of power, agency and gender dynamics.

Katrina Garvey and Lisa Kurtz

This project focuses on the ways deaf and hearing bodies can un/intentionally be gatekeepers, intermediaries or couriers in spaces. porous not only references the collaborative experiences between the artists, but also the way the audience connects those experiences.

Ali Tahayori

I will meet you there, came to realization by the contribution of over twenty friends, family members, artists and acquaintances. The project aims to reflect on the notion of "home" from a collective perspective.

Kate Coyne

Kate Coyne's studio practice explores how experience can be embodied and the nature of the relationship between the body/experience and materiality in a socio-political feminist context. Temporality, the progression of past, present and future is inherent, with materials discolouring over time and gravity taking over form and identity in the same way that it does with an ageing, sagging body.

Kate Coyne; Sehej Kaur x Kaylee Rankin; emoeba h♡rtbridge; Bonnie Huang; Keesha Catherine Field

Firstdraft’s pop-up classroom, Class S2, calls for you to tap into your child-like self with the materials, knowledge and memories collected and experienced by who you are today, making objects in experimental and hopeful ways. 

Ali Noble

What ideologies are subverted when curtains assert versatility, sensuality and movement in spaces typically defined by fixedness? Cubbyhouse(Nothing is Certain, said the Curtain) merges the familiarity of Ali Noble’s existing textile-based practise, with the exploration of a new format, video.

Easton Dunne, Danica I. J. Knežević, Shannon Toth, Dustin Voggenreiter

Within the shared realms that we move through lies a concealed network of invisible architecture that charts separate paths and boundaries. Soft Cell brings together work by five artists from the 2023 Firstdraft program to navigate these nebulous and unclear borders and ambiguous social constructs. 

Charles Levi

Luddite/Sodomite is a series of four textile and embroidery installations that investigate the immediate link between labour and textile through a queer lens.

Vedika Rampal

To be post-Partition, is simultaneously to be post-colonial. Yet the wounds of Empire still infiltrate and seep through folds of diasporic and intergenerational memory today.

Corey Black

You Won’t Believe The Snap In Your Throat examines the processes of digestion at the locus of industrial and post-industrial fabrication methods.

Amanda Bennetts

I feel the weight of the minute as I bend my body towards the clock is a multimedia installation examining time and the labour of self-care for the disabled and ill body.